- Learn where D is everywhere on the fretboard
- Use that to see where B, C, E and F are (hint: they have symmetry around D)
- Learn G#/Ab, as this is the flipside to D—the same sort of axis of symmetry applies to G#, and this also establishes the tritone relationship
- Use your knowledge of the location of G#/Ab to learn G and A seeing as they are only a semitone below and above. You should now know all the natural note locations.
- You can learn the sharps/flats by their relationships to the natural notes, and I recommend the following:
- that you learn the notes immediately either side of D, so that covers C#/Db and D#/Eb
- then you should learn the sharp/flat notes either side of G#/Ab, which are a tone above and below at A#/Bb and F#/Gb respectively
There are a couple of other helpful things to investigate including becoming familiar with the distinctive tritone pattern occurs on the 4th and 7th degrees of any major scale—so in C major that's F and B. There is also an interesting relationship with the Pentatonic scale which I'll cover next time.
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